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Revelation 3 is the third chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. The book is traditionally attributed to John the Apostle , [ 1 ] but the precise identity of the author remains a point of academic debate. [ 2 ]
The modern consensus is that a Johannine community produced the Gospel of John and the three Johannine epistles, while John of Patmos wrote the Book of Revelation separately. [c] [15] [16] The book is commonly dated to about AD 95, as suggested by clues in the visions pointing to the reign of the emperor Domitian. [17]
Chapters 2–3 of the Revelation have specific messages for each of the seven angels of the seven churches. The message of each of the seven letters is directed to the angel of the particular church that is mentioned. Origen [15] explains that these "angels" are the guardian angels of the churches, a view upheld by Henry Alford.
Holman Hunt's painting The Light of the World inspired by Rev 3:20's metaphor of Christ knocking at the door of the Laodicean Church. "Behold, I stand at the door, and knock: if any man hear my voice, and open the door, I will come in to him, and will sup with him, and he with me."
Textual variants in the Book of Revelation are the subject of the study called textual criticism of the New Testament. Textual variants in manuscripts arise when a copyist makes deliberate or inadvertent alterations to a text that is being reproduced. An abbreviated list of textual variants in the Book of Revelation is given in this article below.
The Giving of the Seven Bowls of Wrath / The First Six Plagues, Revelation 16:1-16. Matthias Gerung, c. 1531 Fifth Bowl, the Seven-headed Beast. Escorial Beatus Statue of an Etruscan priest, holding a phialē from which he is to pour a libation; the plagues of Revelation are poured out on the world like offerings.
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