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Music for public religious celebrations includes: Ta'zieh music (Shi'a) – a passion play depicting the martyrdom of Imam Hussein, part musical drama, part religious drama, rarely performed outside Iran; Ashurah music (Shi'a) – performed during the Muharram mourning period, commemorating the deaths of Imam Hussein and his followers
Islamic music may refer to religious music, as performed in Islamic public services or private devotions, or more generally to musical traditions of the Muslim world. The heartland of Islam is the Middle East , North Africa , the Horn of Africa , Balkans , and West Africa , Iran , Central Asia , and South Asia .
The tarab al-āla , meaning "instrumental music", as opposed to religious music which is primarily vocal is predominant. [16] The al-samāʿ wa-l-madīḥ, a religious a cappella style that makes use of very similar melodic, rhythmic and textual materials as Al-Ala. [17] The Gharnati of the school of Tlemcen is also played, mainly, in Oujda.
While hereditary performers continue to perform Qawwali music in traditional and devotional contexts, [2] Qawwali has received international exposure through the work of Nusrat Fateh Ali Khan, Aziz Mian and Sabri Brothers largely due to several releases on the Real World label, followed by live appearances at WOMAD festivals.
Naushad Ali was born and raised in Lucknow, [1] a city with a long tradition as a centre of Indian Muslim culture. His father, Wahid Ali, was a munshi (court clerk). As a child, Naushad would visit the annual fair at the Deva Sharif in Barabanki, 25 km from Lucknow, where all the great qawwals and musicians of those days would perform before the devotees.
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Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.
His music has been described by one critic as "among the most startling and unique in the noise underground." [2] Despite his project name, Jones never converted to Islam. [3] The name Muslimgauze is a play on the word muslin (a type of gauze) [4] [5] combined with Muslim, referring to Jones' preoccupation with conflicts throughout the Muslim ...
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