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In 1666, Charles II of England, Scotland and Ireland, following the earlier example of Louis XIV of France, decreed that at court, men were to wear a long coat, a vest or waistcoat (originally called a petticoat, a term which later became applied solely to women's dress), a cravat, a periwig or wig, and breeches gathered at the knee, as well as ...
Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
A safeguard or saveguard was a riding garment or overskirt worn by women in the sixteenth and seventeenth centuries. Some safeguards were intended to protect skirts or kirtles worn beneath. [ 1 ] Mary Frith , dramatised as the character Moll Cutpurse in The Roaring Girl , wore a black safeguard over breeches .
Embroidered linen jackets were worn as informal dress, and were particularly popular among wealthy women in the late sixteenth and early seventeenth centuries. This jacket is exquisitely decorated with flowers, birds and butterflies, embroidered in coloured silks , coiled tendrils of silver-gilt plaited braid stitch and silver-gilt sequins.
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Petticoat breeches were voluminously wide, pleated pants, reminiscent of a skirt, worn by men in Western Europe during the 1650s and early 1660s. [1] The very full loose breeches were usually decorated with loops of ribbons on the waist and around the knee. They were so loose and wide that they became known as petticoat breeches.
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