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How durable a fabric or yarn is. dyes Dye is used to color fabric. There are two main types, natural dyes and synthetic dyes. The process is called dyeing. dye lot The dye lot is a number that identifies yarns dyed in the same vat at the same time. Subtle differences can appear between different batches of the same color yarn from the same ...
Tritik, or stitch resist, is a resist dyeing technique in which a line of stitches is gathered tightly before dyeing, creating a negative design in the dyed fabric. [1] It is similar to the Japanese resist technique shibori. Traditionally two hand stitches are used for tritik: running stitch and whip stitch. [2]
Beni itajime is a block-resist dyeing method that was common throughout the Meiji period (1868-1912), used to create red lining fabrics with crisp white designs. In China, the jia xie method, invented around 500 AD, uses wooden blocks to dye patterns onto fabric, usually silk .
Dye Plants and Dyeing (2nd ed.). A&C Black. ISBN 978-0-7136-6374-7. Cardon, Dominique (2016). The Dyer's Handbook Memoirs On Dyeing (Translation into English of an anonymous French manuscript held in a private collection consisting of four essays produced around 1763. ed.). Oxford, Philadelphia: Oxbow Books. ISBN 9781785702112. OCLC 950262477.
Ikat is an Indonesian word, which depending on context, can be the nouns: cord, thread, knot, or bundle, [2] also the finished ikat fabric, as well as the verbs "to tie" or "to bind"; the term ikatan is a noun for bond or tie. [3]
Fiber dyeing: In fiber dyeing, the dyeing takes place at the fiber stage before they are spun into yarn. It is also called stock dyeing. Examples are melanges and medleys. [13] [14] Yarn dyeing: In yarn dyeing, the yarns are dyed first before the fabric manufacturing stage. The yarn dyeing happens in hanks or in package dyeing.
Katazome (型染め) is a Japanese method of dyeing fabrics using a resist paste applied through a stencil, typically a rice flour mixture applied with a brush or a tool such as a palette knife. Unlike yūzen, stencils are used repeatedly to make a repeating pattern. Pigment is added by hand-painting, immersion dyeing, or both.
Within an area of dye, the brush can be used to apply ombré gradients [3] (bokashi-zome, [3] "ombré-dyeing"). [citation needed] Mushi, a step where the fabric is steamed at 80 °C (176 °F) for around 20–40 minutes, may be applied at this stage to set the colours, [4] or steaming may be omitted until after the background is dyed. [3]