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As a result, dark fantasy cannot be solidly connected to a defining set of tropes. The term itself may refer collectively to tales that are either horror-based or fantasy-based. Some writers also use "dark fantasy" (or "Gothic fantasy") as an alternative description to "horror", because they feel the latter term is too lurid or vivid. [5]
Martin McKenna (21 February 1969 – September 2020) was a British artist and illustrator, known for his work in role-playing games, novels, and comics, mainly of horror and fantasy genres. He illustrated many Games Workshop products in the 1980s, and his drawings were a key part of the visual identity of the first edition of Warhammer Fantasy ...
Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting. The name refers to Gothic architecture of the European Middle Ages , which was characteristic of the settings of early Gothic novels.
Ian Miller (born 11 November 1946) is a British fantasy illustrator and writer best known for his quirkily etched gothic style and macabre sensibility, and noted for his book and magazine cover and interior illustrations, including covers for books by H. P. Lovecraft and contributions to David Day's Tolkien-inspired compendiums, work for Fighting Fantasy gamebooks and various role-playing and ...
Gavin's 2008 book Hell Bound: New Gothic Art continued to theorize the existence of the movement. She has also referred to the style as "the art of fear". [3] The term is associated with work by Banks Violette, David Noonan and Gabríela Friðriksdóttir, in particular, as well as Christian Jankowski, Marnie Weber, Boo Saville, Terence Koh, and Matthew Stone. [3]
Lovecraftian horror, also called cosmic horror [2] or eldritch horror, is a subgenre of horror, fantasy fiction and weird fiction that emphasizes the horror of the unknowable and incomprehensible [3] more than gore or other elements of shock. [4] It is named after American author H. P. Lovecraft (1890–1937).
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