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In music, heterophony is a type of texture characterized by the simultaneous variation of a single melodic line. Such a texture can be regarded as a kind of complex monophony in which there is only one basic melody, but realized at the same time in multiple voices, each of which plays the melody differently, either in a different rhythm or tempo, or with various embellishments and elaborations ...
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
a stringed weapon, or the initiator of sound in some stringed musical instruments. noun an object that you clip or tie on to your hair to keep it from falling into your face / ˈ b aʊ / verb to bend in respect noun the front of a boat or ship buffet / b ə ˈ f eɪ / or / ˈ b ʊ f eɪ / noun sideboard meal / ˈ b ʌ f ɪ t / verb to strike ...
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
Gaelic psalm singing was the main inspiration behind the Runrig song "An Ubhal as Àirde (The Highest Apple)" on their album The Cutter and the Clan.. Samples of Gaelic psalm singing have been used in songs by Capercaillie and Martyn Bennett.
The defining characteristic of the barbershop style is the ringing chord, one in which certain overtones of the four voices reinforce each other, sometimes so strongly that the overtone is perceived by the listener as a distinct tone, even though none of the voices are perceived as singing that tone.
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In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1] The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note".