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String Quartet in G Minor: Scores at the International Music Score Library Project; Performance of String Quartet by the Borromeo String Quartet at the Isabella Stewart Gardner Museum in MP3 format 'Debussy Quartet in G minor, Op. 10', lecture by Roger Parker and performance by the Badke Quartet at Gresham College, 29 January 2008
"Villa-Lobos's String Quartets". In Intimate Voices: The Twentieth-Century String Quartet, vol. 1: Debussy to Villa-Lobos, edited by Evan Jones, 223–255. Eastman Studies in Music 70. Rochester, New York: University of Rochester Press. ISBN 978-1-58046-322-5. Taruskin, Richard. 2009.
In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B ♭ alto. [2] Another convention of G minor symphonies observed in Mozart's No. 25 and Mozart's No. 40 was the choice of E-flat major , the subdominant of the relative major B ♭ , for the slow movement, with other examples including Joseph ...
String Quartet in G minor may refer to: No. 3 of the String Quartets, Op. 20 (Haydn) String Quintet No. 4 (Mozart) String Quartet No. 6 (Spohr) String Quartet No. 9 (Schubert) String Quartet No. 1 (Grieg) String Quartet (Debussy) String Quartet No. 1 (Nielsen) String Quartet No. 2 (Hill)
For instance a G 7 augmented 5th dominant chord in which G altered scale tones would work before resolving to C 7, a tritone substitution chord such as D ♭ 9 or D ♭ 7 ♯ 11 is often used in which D ♭ /G whole-tone scale tones will work, the sharpened 11th degree being a G and the flattened 7th being a C ♭, the enharmonic equivalent of ...
Debussy c. 1900 by Atelier Nadar (Achille) Claude Debussy [n 1] was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at ...
For example, the C major scale, G major scale, and the major scale in all keys, are not identical but share transpositional equivalence in that the size of the intervals between scale steps is identical while pitches are not (C major has F ♮ while G major has F ♯). The major third and the minor sixth are not identical but share inversional ...
The key signature features five sharps, normally indicating a B major or G ♯ minor scale. [6] However, due to Debussy's oscillating harmonies between F ♯ major and C ♯ minor, the music is in neither key. [6] Debussy asserts the tonic is F ♯ and the minor dominant is C ♯, with the Mixolydian mode beginning on F ♯. [6]
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