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Marxist literary criticism is a theory of literary criticism based on the historical materialism developed by philosopher and economist Karl Marx. Marxist critics argue that even art and literature themselves form social institutions and have specific ideological functions, based on the background and ideology of their authors.
This is an accepted version of this page This is the latest accepted revision, reviewed on 24 January 2025. Economic and sociopolitical worldview For the political ideology commonly associated with states governed by communist parties, see Marxism–Leninism. Karl Marx, after whom Marxism is named. Friedrich Engels, who co-developed Marxism. Marxism is a political philosophy and method of ...
An outline of "Marxism" had definitely formed in the mind of Karl Marx by late 1844. Indeed, many features of the Marxist view of the world had been worked out in great detail, but Marx needed to write down all of the details of his world view to further clarify the new critique of political economy in his own mind. [79]
The term "Marxism" encompasses multiple "overlapping and antagonistic traditions" inspired by the work of Karl Marx, and it does not have any authoritative definition. [12] [13] The most influential texts for cultural studies are (arguably) the "Thesis on Feuerbach" and the 1859 Preface to A Contribution to the Critique of Political Economy. [14]
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Marxism includes a complex array of views that cover several different fields of human knowledge and one may easily distinguish between Marxist philosophy, Marxist sociology and Marxist economics. Marxist sociology and Marxist economics have no connection to religious issues and make no assertions about such things.
On the Jewish Question" is a response by Karl Marx to then-current debates over the Jewish question. Marx wrote the piece in 1843, and it was first published in Paris in 1844 under the German title " Zur Judenfrage " in the Deutsch–Französische Jahrbücher .
A major theme in Marxism is the problem of mediation or determination: what amount of agency does labor have in light of the determining forces of a given culture. Implicit in this is the underlying fact that labor is itself worth something, and thus the mediator is actually money, be it access to money or its possession.