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Frame 150 from the Zapruder film. Kennedy's limousine has just turned onto Elm Street, moments before the first shot. The Zapruder film is a silent 8mm color motion picture sequence shot by Abraham Zapruder with a Bell & Howell home-movie camera, as United States President John F. Kennedy's motorcade passed through Dealey Plaza in Dallas, Texas, on November 22, 1963.
Conspiracies and Zapruder film Debate and conspiracy theories have raged about the assassination over the last six decades, with thousands of books, movies, TV shows and podcasts dedicated to what ...
Zapruder's movie camera was an 8 mm Bell & Howell Zoomatic Director Series Model 414 PD—top-of-the-line when it was purchased in 1962. [citation needed] Zapruder had planned to film the motorcade from his office window but opted for a better spot in Dealey Plaza where the motorcade would be passing. [19]
[1] [2] Hill was known as the "Lady in Red" because of the long red raincoat she wore that day, as seen in Abraham Zapruder's film of the assassination. [1] [2] A teacher by profession, she was a consultant for Oliver Stone's 1991 film JFK and co-wrote JFK: The Last Dissenting Witness with Bill Sloan. [1] [2]
Still image of Hugh Jamieson, during interview at KERA, circa 1970s. The Jamieson Film Company, a Texas film production company, was one of the crucial players in the emergence of Dallas as a center for commercial film production in the U.S. Founded by Hugh Jamieson in 1916, the Jamieson Film Company is perhaps most widely remembered for producing the first copies of the Abraham Zapruder film ...
Sitzman was never called by the Warren Commission.In the years following the assassination, she was interviewed by various researchers and writers. While Sitzman continued to maintain (in a 1993 interview) that the first shot she heard came from the direction of the Texas School Book Depository, [6] she stated in a book published in 2013 that she believed there was a possibility that there was ...
In December 1999, the Zapruder family donated the copyright to the Zapruder film to The Sixth Floor Museum, along with one of the first-generation copies made on November 22, 1963, and other copies of the film. The Zapruder family no longer retains any copyrights to the film, which are now controlled entirely by the museum.
While broadly based in reality, the entire movie is a put-on, a wackazoid tall tale, a comedy that uses the breakfast wars as the spin-off point for a high-camp exercise in nostalgic lunacy.