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Super 8mm film cameras do not need to use the Super 8mm film produced by Kodak, but other film stocks produced by companies such as Fujifilm and independents (in the form of re-packaged film) are compatible. The only difference to the films is the cartridge used to insert them into the camera. All lengths of film sold are of 50 ft (15 m) lengths.
The Ciné-Kodak was the first movie camera for 16 mm, manufactured by the Eastman Kodak Company and introduced in 1923. [1] It was intended for home movie making. Kodak released additional models, including magazine-loading cameras as the Magazine Ciné-Kodak line and a line of 8 mm cameras under the Ciné-Kodak Eight sub-brand.
A number of camera companies offered single-width 8 mm film in magazines or spools, but the format faded when Kodak introduced Kodachrome, as this was only available in the Double 8 mm format. The first single-run 8 mm film was offered in 1935 with a Bell & Howell movie camera Filmo 127-A called Straight Eight.
A great gift idea for people who have old 8mm or Super 8 films lying around at home, this Kodak Film Scanner automatically converts physical slides into digital files, that you can watch and share ...
Super 8 and 8 mm film formats – magnetic sound stripes are shown in gray. Super 8 mm film is a motion-picture film format released in 1965 [1] [2] [3] by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format.
Kodak Automatic 8 film camera. On January 13, 2004, Kodak announced it would stop marketing traditional still film cameras (excluding disposable cameras) in the United States, Canada and Western Europe, but would continue to sell film cameras in India, Latin America, Eastern Europe and China. [13]
General purpose consumer colour film for disc cameras. It was Kodak's first color negative film to use their T-Grain technology and improved cyan coupler. Quickly replaced with VR series for all film types. US: Disc: Kodacolor VR 200 Kodak: Kodacolor VR 100: 1982–1986: T: 100: C-41: Print: General purpose consumer colour film.
Super 8 was criticized because the film gates in some cheaper Super 8 cameras were plastic, as was the pressure plate built into the cartridge; while the standard 8 cameras had a permanent metal film gate that was regarded as more reliable in keeping the film flat and the image in focus. In reality, this was not the case, since the plastic ...
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