Search results
Results from the WOW.Com Content Network
HOT WIRE: The Journal of Women's Music and Culture was a women's music magazine published three times a year from 1984–1994. [26] [27] It was founded in Chicago by volunteers Toni Armstrong Jr., Michele Gautreaux, Ann Morris and Yvonne Zipter; Armstrong Jr. became the sole publisher in 1985. [28]
In the 1920s, the co-ed emerged, as women began attending large state colleges and universities. Women entered into the mainstream middle class experience but took on a gendered role within society. Women typically took classes such as home economics, "Husband and Wife", "Motherhood" and "The Family as an Economic Unit".
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
This is a list of female entertainers of the Harlem Renaissance, a cultural, social, and artistic explosion that took place in Harlem, New York, in the 1920s. Dancers, choreographers, and orchestra leaders
Music continues to play a huge role in women's empowerment and modern day feminist movements with the creation of songs such as Beyonce's, “Who Runs the World," and Taylor Swift's, "The Man," which aim to commentate on the current status of women. [29] Music is also being used to teach about the suffragette movement and nineteenth amendment.
The Ghost Dance, a Native American spiritual movement, of which music and dance were integral parts, is banned after the Wounded Knee Massacre. [ 44 ] Sam Jacks' Creole Burlesque Company opens in New York, and is a popular novelty act, unusual for a time in that the cast includes both men and women, and the show's format is more variety than ...
Classic female blues was an early form of blues music, popular in the 1920s. An amalgam of traditional folk blues and urban theater music, the style is also known as vaudeville blues. Classic blues were performed by female singers accompanied by pianists or small jazz ensembles and were the first blues to be recorded.
The band used its music as a vehicle for social activism, as lead singer Zack de la Rocha espoused: "Music has the power to cross borders, to break military sieges and to establish real dialogue". [60] The 1990s also saw a sizable movement of pro-women's rights protest songs from many musical genres as part of the Third-wave feminism movement.