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During the Victorian period of the mid-to-late 19th century, social attitudes required women to cover their bosoms in public. High collars were the norm for ordinary wear. Towards the end of this period, the full collar was in fashion, though some décolleté dresses were worn on formal occasions. [88]
The high-necked chemise of fine linen has ruffles at the wrist, and a linen hood with a veil is worn. Christoph Amberger's Unknown Woman wears a finely pleated partlet or high-necked chemise with a high collar and small ruff beneath her gown. Her close-fitting cap may be similar to that worn by Anne of Cleves under her veil, c. 1545.
Bodices on the other hand, ended at the natural waistline, had wide pagoda sleeves, and included high necklines and collars for day dresses; low necklines for evening dresses. However, in 1868, the female silhouette had slimmed down as the crinoline was replaced by the bustle, and the supporting flounce overtook the role of determining the ...
Praskovia Tchaokovskaia wears a high-necked afternoon dress with puffed elbow-length sleeves and a fabric belt or sash, Russia, 1890–92. Bathing suit, 1890-1895, nautical fashion : navy color and sailor collar and sleeves; Day dresses of 1892 have low waists and high necklines. Sleeves have a high, gathered sleeve-head and are fitted to the ...
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
[29] [30] Towards the end of the 15th century women's head-dresses became smaller, more convenient, and less picturesque. The gable hood, a stiff and elaborate head-dress, emerged around 1480 and was popular among elder ladies up until the mid-16th century.
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