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And in “Freud’s Last Session,” released in 2023 and available on streaming services, Hopkins has the title role in a compelling fictional conversation with a younger version of C.S. Lewis.
Mark St. Germain’s 2009 two-character play brought together Freud and C.S. Lewis (played by Matthew Goode in the film) for a speculative meeting between the two in 1939 London. Movie Review ...
So many movies are either mindless or completely disinterested with engaging the intellect of their audiences that “Freud’s Last Session” offers a welcome bit of brain stimulation — but ...
The story tells of a fictional criminal case in Vienna in 1886, which marked the start of a major conspiracy.. Sigmund Freud (Robert Finster) is a 30-year-old neurologist fascinated by hypnotherapy, discovered during a recent study trip to France in the well-known clinic of Dr. Jean-Martin Charcot, a fervent advocate of the psychic nature of hysteria.
In 2023, Hopkins starred as stockbroker and humanitarian Sir Nicholas Winton in the biographical drama film One Life, and also played Sigmund Freud in Freud's Last Session. [76] [77] Hopkins also appeared in the Netflix science fiction film Rebel Moon directed by Zack Snyder. [78] [79] In 2024, Hopkins portrayed Herod the Great in the Netflix ...
Set across a period from 1902 to the eve of World War I, A Dangerous Method follows the turbulent relationships between Carl Jung, founder of analytical psychology, Sigmund Freud, founder of the discipline of psychoanalysis, and Sabina Spielrein, initially Jung's patient and later a physician and one of the first female psychoanalysts.
Freud: The Secret Passion, or simply Freud, is a 1962 American biographical drama film directed by John Huston and produced by Wolfgang Reinhardt. Based on the life of Austrian neurologist Sigmund Freud, it stars Montgomery Clift as Freud and Susannah York as his patient Cecily Koertner.
The affair between Alma Mahler and Walter Gropius did occur, and Gustav Mahler did consult Freud. [3] Alma did marry Gropius several years after Gustav's death. [4]: 109 Ty Burr pointed out in his review of the film, "No one actually knows what Mahler and Freud talked about in their meeting." [5] Jeffrey Gantz made much the same point. [6]