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Download as PDF; Printable version; ... This is an alphabetical list of films belonging to the blaxploitation genre. ... No Way Back (1976) [70] Norman... Is That You ...
In US cinema, Blaxploitation is the film subgenre of action movie derived from the exploitation film genre in the early 1970s, consequent to the combined cultural momentum of the Black civil rights movement, the black power movement, and the Black Panther Party, political and sociological circumstances that facilitated Black artists reclaiming their power of the Representation of the Black ...
B. BaadAsssss Cinema; The Bad Bunch; Bamboo Gods and Iron Men; Bare Knuckles; Black Belt Jones; Black Caesar (film) Black Chariot; Black Cobra (film series) Black Devil Doll from Hell
Coffy is a 1973 American blaxploitation action thriller film written and directed by Jack Hill.The story is about a black female vigilante played by Pam Grier who seeks violent revenge against a heroin dealer responsible for her sister's addiction.
Savage! is a 1973 American-Philippines action film with elements of blaxploitation.The funding and distribution came from Roger Corman's New World Pictures which also provided the leading players from among a number of American actors who regularly appeared in such features.
The Mack is a 1973 American blaxploitation crime drama film directed by California native Michael Campus and starring Max Julien and Richard Pryor. [4] [5] The film also stars Oscar-nominee Juanita Moore and Tony-nominated actor Dick Anthony Williams.
Together for Days is a 1972 American independent blaxploitation film about a relationship between an African-American man and a Caucasian woman, and the reaction of their friends and family in Atlanta, Georgia. Directed by Michael Schultz, it marked Samuel L. Jackson's film debut.
The 1960s and 1970s marked the rise of exploitation-style independent B movies; films which were mostly made without the support of Hollywood's major film studios.As censorship pressures lifted in the early 1960s, the low-budget end of the American motion picture industry increasingly incorporated the sort of sexual and violent elements long associated with so-called ‘exploitation’ films.