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The organization took its first action in 1994 in Liwa, West Lampung in response to an earthquake.It was renamed Aksi Cepat Tanggap Foundation on 21 April 2005. [1]Aside from emergency response activities, ACT also expanded its activities to post-disaster recovery programs, community empowerment and development, as well as spiritual-based programs such as qurban, zakat, and waqf.
Noli me Tangere by Antonio da Correggio, c. 1525. Noli me tangere ('touch me not') is the Latin version of a phrase spoken, according to John 20:17, by Jesus to Mary Magdalene when she recognized him after His resurrection. The original Koine Greek phrase is Μή μου ἅπτου (mḗ mou háptou).
Noli me tangere is a fragment of a fresco of c. 1498–1500 by the Italian Renaissance painter and architect Bramantino depicting Jesus and Mary Magdalene soon after the resurrection. It was originally in the church of Santa Maria del Giardino in Milan and since 1867 in the Pinacoteca del Castello Sforzesco in the same city, to which it was ...
Noli me tangere (Latin for Don't touch me or Stop touching me) is a c. 1514 painting by Titian of the Noli me tangere episode in St John's Gospel. The painting, depicting Jesus and Mary Magdalene soon after the resurrection, is in oil on canvas and since the nineteenth century has been in the collection of the National Gallery in London.
Noli Me Tángere (Latin for "Touch Me Not") is a novel by Filipino writer and activist José Rizal and was published during the Spanish colonial period of the Philippines.It explores inequities in law and practice in terms of the treatment by the ruling government and the Spanish Catholic friars of the resident peoples in the late 19th century.
In the novel, María Clara is regarded as the most beautiful and celebrated lady in the town of San Diego. A devout Roman Catholic, she became the epitome of virtue; "demure and self-effacing" and endowed with beauty, grace and charm, she was promoted by Rizal as the "ideal image" [1] of a Filipino woman who deserves to be placed on the "pedestal of male honour".
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Padre Dámaso (in Noli Me Tangere) to Padre Inocencio (in Doña Perfecta); Filósofo Tasio (in Noli Me Tangere) to Don Cayetano (in Doña Perfecta); Linares (in Noli Me Tangere) to Jacinto (in Doña Perfecta). Several focused themes are also noted between Jose Rizal's Noli Me Tangere and Benito Pérez Galdós' Doña Perfecta.