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Per the overall MOS guidance to use logical quotation, punctuation should be placed outside the quotation marks (title formatting) of songs: Bob Dylan's Highway 61 Revisited album includes the songs "Like a Rolling Stone", "Ballad of a Thin Man", and "Desolation Row". Of course, if the song title itself contains punctuation, it goes inside: "Help!"
The Irish rock band U2 wrote and recorded the song "God Part II" as an answer song to Lennon's "God". Included in U2's 1988 album Rattle and Hum, "God Part II" reprises the "don't believe in" motif from Lennon's song and its lyrics explicitly reference Lennon's 1970 song "Instant Karma!" and American biographer Albert Goldman, author of the controversial book The Lives of John Lennon (1988).
A mondegreen (/ ˈ m ɒ n d ɪ ˌ ɡ r iː n / ⓘ) is a mishearing or misinterpretation of a phrase in a way that gives it a new meaning. [1] Mondegreens are most often created by a person listening to a poem or a song; the listener, being unable to hear a lyric clearly, substitutes words that sound similar and make some kind of sense.
In other words, the gods have ideas different from those of mortals, and so events do not always occur in the way persons wish them to. Cf. Virgil, Aeneid, 2: 428. Also cf. "Man proposes and God disposes" and "My Thoughts are not your thoughts, neither are your ways My ways", Isaiah 55, 8–9. dis manibus sacrum (D.M.S.) Sacred to the ghost-gods
"Fly Me to the Moon", originally titled "In Other Words", is a song written in 1954 by Bart Howard. The first recording of the song was made in 1954 by Kaye Ballard . Frank Sinatra's 1964 version was closely associated with the Apollo missions to the Moon .
As for the line "Just a slob like one of us", Bazilian said that he did not intend to mean God was a slob, but rather that the song is about human beings. [4] Bazilian recorded a demo of "One of Us", which was later used as a hidden track on his first solo album (The Optimist). Bazilian had intended to send the demo to Crash Test Dummies, but ...
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The song was first recorded by Polish singer Edyta Górniak. However, her version of the song was not released until 1997, when it appeared on her second album which also was her first international album, Edyta Górniak (1997). The song was released as a single in Japan in 1997 and internationally in 1999.