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A furiant is a rapid and fiery Bohemian dance in alternating 2/4 and 3/4 time, with frequently shifting accents; or, in "art music", in 3/4 time "with strong accents forming pairs of beats".
Mazurka – Polish folk dance in triple meter, often lively and with strong accents on the second or third beat. Odzemek – Traditional Czech dance often in a fast duple meter. Polka – Lively Bohemian dance. Polonaise – Dance of Polish origin, in triple meter. Saltarello – Lively, jumping Italian dance in a quick triple meter.
At that time, it was the only television program for this type of music in the United States. [20] A number of polka shows originated from the Buffalo Niagara Region in the 1960s, including WKBW-TV 's Polka Time , which was hosted for its first half-year on air by Frankie Yankovic, and cross-border station CHCH-TV 's Polka Party , hosted by ...
The sousedská is a semi-slow Bohemian dance in three quarter time. It has a calm, swaying character and it is usually danced in a pair. [1]The dance was used by some Czech composers, including Antonín Dvořák, who used it in his Slavonic Dances (the Sousedská is the fourth and sixth dance from his Op. 46, and the eighth dance from Op. 72).
Schottische in Madrid August 2017. The schottische is a partnered country dance that apparently originated in Bohemia. [citation needed] It was popular in Victorian era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina (chotis Spanish Wikipedia and chamamé), Finland (), France, Italy, Norway ("reinlender [] "), Portugal and ...
In cut-time; two beats per measure or the equivalent thereof alla marcia In the style of a march alla polacca In the style of a polonaise, a 3 4 dance alla Siciliana In the style of a graceful Sicilian rustic dance; [1] allargando Broadening, becoming progressively slower allegretto A little lively, moderately fast allegretto vivace A ...
This is the main list of dances.It is a non-categorized, index list of specific dances. It may also include dances which could either be considered specific dances or a family of related dances.
The fifth movement is a lively, offbeat finale, conveying the spirit of a Bohemian village dance. The principal theme is a descending figure based on thirds with accents on weak beats. More thematic material enters at bar 32 as the violins and cellos trade calls and responses over running eighths in the violas.