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In music, the acoustic scale, overtone scale, [1] Lydian dominant scale (Lydian ♭ 7 scale), [2] [3] or the Mixolydian ♯ 4 scale is a seven-note synthetic scale. It is the fourth mode of the ascending melodic minor scale .
Acoustic scale or Lydian dominant scale: Acoustic scale on C. Play ...
The Lydian scale can be described as a major scale with the fourth scale degree raised a semitone, making it an augmented fourth above the tonic; e.g., an F-major scale with a B ♮ rather than B ♭. That is, the Lydian mode has the following formula:
Lydian ♯5 scale: acoustic scale, overtone scale, Lydian dominant scale, Lydian ♭7 scale, Mixolydian ♯4 scale ... "Manual of Counterpoint". Carl Fischer.
Lydian mode on C Play ⓘ. Thirteenth chord constructed from notes of the Lydian mode. Play ⓘ Russell's original six Lydian scales [1] The Lydian Chromatic Concept of Tonal Organization is a 1953 jazz music theory book written by George Russell. The book is the founding text of the Lydian Chromatic Concept (LCC), or Lydian Chromatic Theory (LCT).
The escala nordestina (Portuguese: "Northeastern scale") are a body of musical scales commonly used in the music of the Nordeste, the northeastern region of Brazil. The term can apply to several different scales, including the Mixolydian, the Lydian with a flattened seventh (see Acoustic scale), and the Dorian. [1]
3 Redirect to acoustic scale. 2 comments. 4 How is clarification needed? 2 comments. 5 Removed example. 1 comment. Toggle the table of contents. Talk: Lydian dominant ...
Lydian augmented scale t-t-t-t-s-t-s combines the Lydian fourth with a raised fifth; Acoustic scale on C. Play ⓘ Acoustic scale or Lydian dominant scale t-t-t-s-t-s-t So-called because it is close to the scale built on natural overtones and combines Lydian raised fourth with Mixolydian (Dominant) flat seventh; Aeolian dominant scale or ...