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Deborah Parker (1996). "Women in the Book Trade in Italy, 1475-1620". Renaissance Quarterly. 49 (3): 509–541. doi:10.2307/2863365. JSTOR 2863365. S2CID 164039060. Paul F. Gehl (2000), Printing History and Book Arts: Recent Trends in the History of the Italian Book, archived from the original on 2017-12-01 – via Newberry Library
RCS Libri S.p.A. was a subsidiary and the book publishing division of RCS MediaGroup (RCS stands for Rizzoli–Corriere della Sera); libri itself means books in Italian. A. Rizzoli & C. was founded by Angelo Rizzoli, a former printing apprentice. The company acquired 4 magazines to become a publishing company in 1927. [5] A.
Italian Renaissance Art. Thames & Hudson Inc. Peter Bondanella (2009). A History of Italian Cinema. A&C Black. ISBN 9781441160690. Luzzi, Joseph (30 March 2016). A Cinema of Poetry: Aesthetics of the Italian Art Film. ISBN 9781421419848. Bondanella, Peter E. (2001). Italian Cinema: From Neorealism to the Present. Continuum. ISBN 978-0-8264-1247-8.
In his poetry, Guido was an imitator of the Provençals, [6] but in this book he converted Benoît de Sainte-Maure's French romance into what sounded like serious Latin history. [12] Much the same thing occurred with other great legends. Quilichino of Spoleto wrote couplets about the legend of Alexander the Great.
Comenius was inspired by a Latin–Spanish textbook called Janua Linguarum, published in Salamanca in 1611 by an Irish monk William Bathe (Latin: Bateus). [4] The book was published in 1617 in London in four languages, the other two being English and French. [5] This edition was probably shown to Comenius by John Jonston. [5]
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The Introducing... series, like the For Beginners series, has its origins in two Spanish-language books, Cuba para principiantes (1960) and Marx para principiantes (1972) by the Mexican political cartoonist and writer Rius, pocket books which put their content over in a humorous comic book way but with a serious underlying purpose.
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