Search results
Results from the WOW.Com Content Network
Rachmaninoff ca. 1933. The Rhapsody on a Theme of Paganini, Op. 43, (Russian: Рапсодия на тему Паганини, Rapsodiya na temu Paganini) is a concertante work written by Sergei Rachmaninoff for piano and orchestra, closely resembling a piano concerto, all in a single movement.
Rachmaninoff's compositions cover a variety of musical forms and genres. Born in Novgorod , Russia in 1873, he studied at the Moscow Conservatory with Nikolai Zverev , Alexander Siloti , Sergei Taneyev and Anton Arensky , and while there, composed some of his most famous works, including the first piano concerto (Op. 1) and the Prelude in C ...
Rachmaninoff, pictured here at age 10, produced most of the pieces not included in his opus before he was 14. The composer Sergei Rachmaninoff produced a number of solo piano pieces that were either lost, unpublished, or not assigned an opus number. While often disregarded in the concert repertoire, they are nevertheless part of his oeuvre.
Paganini in Metropolis for Clarinet and Wind Symphony (2001), also for Clarinet and Orchestra (2002) Manuel Quiroga – 9 Variations on Paganini's Caprice No. 24, 12 Variations on Paganini's Caprice No. 24, both for violin and piano; Sergei Rachmaninoff – Rhapsody on a Theme of Paganini, Op. 43 (1934), a set of 24 variations for piano and ...
Sergei Vasilyevich Rachmaninoff [a] [b] (1 April [O.S. 20 March] 1873 – 28 March 1943) was a Russian composer, virtuoso pianist, and conductor.Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music.
Rachmaninoff in front of a giant Redwood tree, California, 1919. Sergei Rachmaninoff (1873–1943) was a Russian composer, virtuoso pianist, and conductor. [1] Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music.
Paganini in 1836 by John Whittle. Niccolò (or Nicolò) Paganini (Italian: [ni(k)koˈlɔ ppaɡaˈniːni] ⓘ; 27 October 1782 – 27 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique.
[67] [note 8] Richard Aldrich, who was a music critic for The New York Times, murmured about the overperformance of the work in proportion to its worth, but complimented Rachmaninoff's playing, stating that, with the assistance of the orchestra, "he made it sound more interesting than it ever has before here". [71]