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It is an upright, lonely standing stone, called Zkamenělý pastýř ("Shepherd turned-into-stone") or Kamenný muž ("Stone Man"). [7] [8] In another Czech village, Družec, there is a sandstone Marian column from 1674 and a man-sized stone called Zkamenělec ("Man-turned-into-stone"), surrounded with legends of a punished perjurer or ...
In the end, Cragaleus chose Heracles, deeming him to be the most worthy of the city. Apollo however was angered over losing Ambracia, so he turned Cragaleus into stone as punishment. Cypriot old woman: Aphrodite Aphrodite turned an elderly woman from Cyprus into stone when she betrayed Aphrodite's hiding place in Cyprus to the other Olympian ...
In book 10 of Ovid's Metamorphoses, Pygmalion was a Cypriot sculptor who carved a woman out of ivory alabaster.Post-classical sources name her Galatea.. According to Ovid, when Pygmalion saw the Propoetides of Cyprus practicing prostitution, he began "detesting the faults beyond measure which nature has given to women". [1]
Medusa is generally described as a woman with living snakes in place of hair; her appearance was so hideous that anyone who looked upon her was turned to stone. [4] Medusa and her Gorgon sisters Euryale and Stheno were usually described as daughters of Phorcys and Ceto ; of the three, only Medusa was mortal.
A bachelor, Pygmalion sculpts a beautiful woman out of ivory. He falls in love with this statue and prays to Venus to bring it to life. She grants his prayer, and the statue, Galatea, has a daughter with him, Paphos. X: 243-296 [208] Pyramus: Young man from Babylon who is the boyfriend of Thisbe whom he is not allowed to marry. IV: 55-163 [209 ...
Falconet's 1763 sculpture Pygmalion and Galatea (Walters Art Museum, Baltimore). Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.
Upon hearing the words, the old man was instantly turned to stone. Sang Kelembai was so upset at what happened to the innocent old man that she lifted the big cooking pot and threw it into the Pahang River. [9] [10] As she became deeply depressed by all that had been happening, Sang Kelembai became a wanderer and went into hiding.
Here, Ahalya and Indra fall in love and continue their affair, despite being punished by Ahalya's jealous husband. After death, they reunite in their next birth. [75] [76] The 2015 short film Ahalya gives a feminist twist to the tale where the policeman Indra turns into a stone doll, after visiting Ahalya. [77] [78]