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Kaundinya's bow, a magic bow wielded by the Brahman Kaundinya, who used it to make the Naga princess Mera fall in love with him. Indra's bow, the rainbow is depicted as an archer's bow. Indra, the god of thunder and war, uses the rainbow to shoot arrows of lightning. Arrows Killing of Ravana Painting by Brahmstra of Arrow of Brahma
Greece. In Greek mythology, a satyr [a] ( Greek: σάτυρος, translit. sátyros, pronounced [sátyros] ), also known as a silenus [b] or silenos ( Greek: σειληνός, translit. seilēnós [seːlɛːnós] ), and sileni (plural), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated ...
Milton's God in Paradise Lost refers to the Son as "My word, my wisdom, and effectual might" (3.170). The poem is not explicitly anti-trinitarian, but it is consistent with Milton's convictions. The Son is the ultimate hero of the epic and is infinitely powerful—he single-handedly defeats Satan and his followers and drives them into Hell.
Diana is considered a virgin goddess and protector of childbirth. Historically, Diana made up a triad with two other Roman deities: Egeria the water nymph, her servant and assistant midwife; and Virbius, the woodland god. [3] Diana is revered in modern neopagan religions including Roman neopaganism, Stregheria, and Wicca.
Magic in literature, while condemned by some Christians, is often viewed by Christians as non-evil. The key distinction would be between real-life magic and pretend magic. This view holds that in real life, the practice of supernatural abilities (i.e. magic) must have a supernatural power source or origin, which would be either holy or evil.
—Edgar Allan Poe "Not the least obeisance made he" (7:3), as illustrated by Gustave Doré (1884) "The Raven" follows an unnamed narrator on a dreary night in December who sits reading "forgotten lore" by the remains of a fire as a way to forget the death of his beloved Lenore. A "tapping at [his] chamber door" reveals nothing, but excites his soul to "burning". The tapping is repeated ...
The serpent is a recurrent motif in Islamic thought, appearing in both sacred texts representing evil and works of art. The creature is often seen as a symbol of evil and punishment. The serpent is a complex figure in Islamic thought, appearing as both a symbol of evil and a figure of wisdom.
An adobe spider-god temple of the Cupisnique culture was discovered in the Lambayeque Region of Peru. It is part of the Ventarron temple complex and is known as Collud. The Cupisnique spider deity was associated with hunting nets, textiles, war, and power. One image depicts spider deities holding nets filled with decapitated human heads. Oceania