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Gracias Por La Música (lit. ' Thanks for the Music ') is a Spanish-language compilation album by Swedish pop group ABBA, released in Spain on 5 April 1980 and Latin America on May 10.
Spanish English translation; Guadalajara, Guadalajara. Guadalajara, Guadalajara. Tienes el alma de provinciana, Hueles a limpia rosa temprana A verde jara fresca del rio, Son mil palomas tu caserio, Guadalajara, Guadalajara, Hueles a pura tierra mojada. Ay ay ay ay! Colomitos lejanos. Ay! Ojitos de agua hermanos. Ay! Colomitos inolvidables,
Follow-up albums include Mas Canciones, Frenesí, and the Rhino Records compilation Mi Jardin Azul: Las Canciones Favoritas, which collects songs from the previous three Spanish-language albums. Las Canciones de mi Padre also is the only recording production in the world that used the three best Mariachi bands in the world: Mariachi Vargas ...
"Bésame Mucho" (Spanish: [ˈbesame ˈmutʃo]; "Kiss Me A Lot") is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. [2] It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered song in Spanish of ...
" Nuestro Himno" (Spanish for "Our Anthem") is a Spanish-language version of the United States national anthem, "The Star-Spangled Banner". The debut of the translation came amid a growing controversy over immigration in the United States (see 2006 U.S. immigration reform protests ).
"Granada" is a song written in 1932 by Mexican composer Agustín Lara. The song is about the Spanish city of Granada and has become a standard in music repertoire.. The most popular versions are the original with Spanish lyrics by Lara (often sung operatically); a version with English lyrics by Australian lyricist Dorothy Dodd; and instrumental versions in jazz, pop, easy listening, flamenco ...
"El Cóndor Pasa" (pronounced [el ˈkondoɾ pasa], Spanish for "The Condor Passes") is an orchestral musical piece from the zarzuela El Cóndor Pasa by the Peruvian composer Daniel Alomía Robles, written in 1913 and based on traditional Andean music, specifically folk music from Peru.
The Spanish lyrics use the image of a migrating swallow to evoke sentiments of longing for the homeland. It became the signature song of the exiled Mexicans. The song was recorded in 1906 [2] by Señor Francisco. [3] [4] A guitar instrumental was recorded by Chet Atkins in 1955.