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The Christ Child and the Infant John the Baptist with a Shell or The Holy Children with a Shell (Spanish - Los Niños de la concha) is a 1670-1675 oil on canvas painting by Bartolomé Esteban Murillo, now in the Prado Museum in Madrid. One of the artist's most popular works, it was widely reproduced in prints and on plates. [1]
Christ with the Eucharist and Saints Bartholomew and Roch; Christ with the Eucharist and Saints Cosmas and Damian; Christ's Appearance to Mary Magdalene after the Resurrection; Christ's Entry Into Brussels in 1889; The Conversion of Saint Paul (Murillo) The Conversion of Mary Magdalene; The Conversion of Saint Paul (Rubens, Berlin)
The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the Nativity or birth of Jesus , celebrated at Christmas , are based on the narratives in the Bible, in the Gospels of Matthew and Luke , and further elaborated by written, oral and artistic tradition.
[94] The Head of Christ is venerated in the Coptic Orthodox Church, [95] after twelve-year-old Isaac Ayoub, who diagnosed with cancer, saw the eyes of Jesus in the painting shedding tears; Fr. Ishaq Soliman of St. Mark's Coptic Church in Houston, on the same day, "testified to the miracles" and on the next day, "Dr. Atef Rizkalla, the family ...
Christ Healing the Paralytic at the Pool of Bethesda (1667-1670) by Bartolomé Esteban Murillo. Christ Healing the Paralytic at the Pool of Bethesda is a 1667-1670 oil on canvas painting by Bartolomé Esteban Murillo, now in the National Gallery, London, [1] to which it was presented by the Art Fund, which had bought it for £8,000 the body had been given by Graham Robertson's executors.
In 1872, Plockhorst exhibited a painting which was soon regarded as his chief work, “The Battle of archangel Michael with Satan for the body of Moses” (today in the Städtisches Museum, Cologne). His next major work was the altar painting “The Resurrection of Christ” for the cathedral of Marienburg , painted by order of the Prussian ...
The Pietà is a theme in art depicting the Virgin Mary cradling the dead body of her son, Jesus, after his crucifixion. In Bouguereau's version, Mary is seen wearing a black cloak holding Christ close to her bosom. Eight angels in mourning form an arc around them, each of them dressed in different colors.
The Assumption of the Virgin, c. 1506, Pietro Perugino (Florence, SS.Annunziata, Cappella Rabatta) The Annunziata Polyptych is a painting cycle started by Filippino Lippi and finished by Pietro Perugino, whose central panel is now divided between the Galleria dell'Accademia (Deposition from the Cross) and the Basilica dell'Annunziata, both in Florence, Italy.