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An example: Dieterich Buxtehude's O dulcis Jesu (BuxWV 83) in full score using tablature Keyboard tablature is a form of musical notation for keyboard instruments.Widely used in some parts of Europe from the 15th century, it co-existed with, and was eventually replaced by modern staff notation in the 18th century.
The sonata is widely viewed as one of the most important works of the composer's third period, a pivotal work between his third and late period, [1] and among the greatest piano sonatas of all time. It is also considered to be Beethoven's most technically challenging piano composition and one of the most demanding solo works in the classical ...
Dionysian Dithyrambs (German: Dionysos-Dithyramben), also called Dionysus-Dithyrambs, is a collection of nine poems written in second half of 1888 by Friedrich Nietzsche under the pen name of Dionysos.
in: 'Basic Writings of Nietzsche', trans. Walter Kaufmann, Modern Library, 2000, ISBN 0-679-78339-3 in: 'The Birth of Tragedy and Other Writings', trans. Ronald Speirs, Cambridge University Press, 1999, ISBN 0-521-63987-5 (also contains: 'The Dionysiac World View' and 'On Truth and Lying in a Non-Moral Sense')
Nietzsche wants music to be cheerful, profound, unique, wanton, tender, roguish, and graceful. These qualities are lacking in German music, except for the works of Bach, Handel, and also in Wagner's Siegfried Idyll. He praises Liszt, Chopin, Peter Gast, and Rossini, as well as all Venetian music. The Intermezzo ends with Nietzsche's poem ...
The Piano Sonata No. 18 in E ♭ major, Op. 31, No. 3, is an 1802 sonata for solo piano by Ludwig van Beethoven. A third party gave the piece the nickname "The Hunt" due to one of its themes' resemblance to a horn call. [ 1 ]
In 1884, Nietzsche wrote to his friend Peter Gast: "This time, 'music' will reach you. I want to have a song made that could also be performed in public in order to seduce people to my philosophy." With this request, Gast reworked Lebensgebetl into Friendship, and orchestrated it. [1]
Nietzsche found in classical Athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. Originally educated as a philologist, Nietzsche discusses the history of the tragic form and introduces an intellectual dichotomy between the Dionysian and the Apollonian (very loosely: reality as disordered and undifferentiated by forms versus reality as ...
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