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Mtume's 1984 album You, Me, and He also proved to be a success with the title song reaching number 2 on the R&B chart. [5] Their final R&B top ten hit was "Breathless" [5] (1986) from their final album Theater of the Mind. Mtume continued recording with Epic Records until the late 1980s. Group member Tawatha Agee subsequently went solo in 1987. [2]
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You, Me and He is a 1984 album by R&B group Mtume. This was their fourth album released on the Epic Records label. The title track was interpolated by Aaliyah for her remixes of her cover of " (At Your Best) You Are Love ", originally by The Isley Brothers
The song "Juicy Fruit" is a staple hip-hop sample. It is sampled in the following songs: "Juicy" by Wrecks-N-Effect "Juicy" by Next "Do You See" by Warren G "This D.J." by Warren G "Loving You" by Jennifer Lopez "Faithfully" by Faith Evans "Juicy" by The Notorious B.I.G. "Let It Go" by Keyshia Cole
All songs written by Reggie Lucas and James Mtume except where noted. "Theme (for the People) [Opening]" (Tawatha Agee, Lucas, Mtume) – 1:30 "Just Funnin'" (Howard King, Lucas, Mtume) – 5:20 "Kiss This World Goodbye" – 3:58 "Insert" – 0:30 "The Closer I Get to You" – 3:58 "Love Lock" – 4:56 "Funky Constellation" – 4:05
All tracks composed by James Mtume and Reggie Lucas; except where noted. "Give It on Up (If You Want To)" (Howard King, Ed "Tree" Moore, Tawatha Agee ) - 6:40 "You Can't Wait for Love" - 4:52
In 1994, Mtume created music for the show New York Undercover while also creating musical appearance opportunities for other artists on the show. [2] In July 2018, Mtume filed a lawsuit against Sony Music/Epic Records, hoping to reclaim the rights for two albums and his hit single "Juicy Fruit". Mtume claimed to hold the sole copyright of these ...
Rebirth Cycle is the second studio album by American musician James Mtume.It was produced by Mtume himself, and released on the Third Street Records label. [1] It is one of a number of contemporary albums described as "some of the most compelling artifacts of the Black Power-Black music nexus", with "explicit endorsements of radical nationalist principles" and "of a very high artistic level ...