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The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
It is essentially a modern iteration of the Quint guitar. [5] A guitalele or guitarlele. A guitalele is the size of a ukulele, and is commonly played like a guitar transposed up to “A” (that is, up a 4th, or like a guitar with a capo on the fifth fret). This gives it tuning of ADGCEA, with the top four strings tuned like a low G ukulele. [6]
Dionysian Dithyrambs (German: Dionysos-Dithyramben), also called Dionysus-Dithyrambs, is a collection of nine poems written in second half of 1888 by Friedrich Nietzsche under the pen name of Dionysos.
Friedrich Wilhelm Nietzsche [ii] (15 October 1844 – 25 August 1900) was a German classical scholar, philosopher, and critic of culture, who became one of the most influential of all modern thinkers. [14] He began his career as a classical philologist before turning to philosophy.
The Peacock and the Buffalo: The Poetry of Nietzsche, Published July 8, 2010; Dionysian Dithyrambs; Nietzsche’s Last Twenty Two Notebooks: complete [1886-1889] January 2021. Translation by Daniel Fidel Ferrer. Free online. See notebook number 20, there are 168 notes and are almost all poems or poem fragments. 20 [1-168] summer 1888 (Pages ...
Also sprach Zarathustra, Op. 30 (German: [ˈalzo ʃpʁaːx t͡saʁaˈtʊstʁa] ⓘ, Thus Spoke Zarathustra or Thus Spake Zarathustra) [1] is a tone poem by German composer Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's 1883–1885 philosophical work of the same name. [2]
Nietzsche found in classical Athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. Originally educated as a philologist, Nietzsche discusses the history of the tragic form and introduces an intellectual dichotomy between the Dionysian and the Apollonian (very loosely: reality as disordered and undifferentiated by forms versus reality as ...
The Will to Power (German: Der Wille zur Macht) is a book of notes drawn from the literary remains (or Nachlass) of the philosopher Friedrich Nietzsche by his sister Elisabeth Förster-Nietzsche and Peter Gast (Heinrich Köselitz). The title derived from a work that Nietzsche himself had considered writing.
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