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14th century Goryeo painting of Ksitigarbha holding a cintamani Mani stone. In Buddhism, the wish fulfilling jewel (Skt. maṇi, cintā-maṇi, cintāmaṇi-ratna) is an important mythic symbol indicating a magical jewel that manifests one's wishes, including the curing of disease, purification of water, granting clothing, food, treasure etc ...
Mani stones are intentionally placed along the roadsides and rivers [1] or grouped together to form mounds, [1] cairns, [2] or sometimes long walls, as an offering to spirits of place or genius loci. Creating and carving mani stones as devotional or intentional process art is a traditional sadhana of piety to yidam .
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
The mantra in Tibetan script with the six syllables colored "om mani padme hūṃ hrīḥ" "om mani padme hūṃ", mani stone carved in Tibetan script outside the Potala Palace in Lhasa The largest mantra inscription in the world is located on Dogee Mountain in Kyzyl, Russia.
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The royal family of the Chera kingdom learns about her, resolves to build a temple with Kannaki as the featured goddess. They go to the Himalayas, bring a stone, carve her image, call her goddess Pattini, dedicate a temple, order daily prayers, and perform a royal sacrifice. [14]
Jupiter had impregnated Stimula, causing Juno to become jealous. Juno convinced Stimula to ask Jupiter to appear in his full splendor, which the mortal woman could not handle, causing her to burn. After Bacchus, Stimula's unborn child, became an adult and the god of wine, he honored his deceased mother by placing a wreath in the sky. (Roman ...
Six-armed Cintāmaṇicakra in the Hall of Great Compassion in Jade Buddha Temple, Shanghai, China. Cintāmaṇicakra is depicted as having anywhere from two to sixteen arms, with the two-armed and six-armed forms being the more common in Chinese and Japanese art.
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