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The themes within an epic are reflected in the relationship between the epic hero and the epic setting. The concerns of an epic are greater than the individual hero's concerns; the grandiosity extends to the conflict, and the concern of the epic is the concern of the entire world within the narrative. [2]
The epic form is a ‘walled’ one, meaning it builds boundaries which block it off from the present. The individual in the epic is a fully finished and completed lofty hero who is entirely ‘externalized’: his appearance, actions and internal world are external characteristics which are literally expressed in the written word.
The epic of Pabuji is an oral epic in the Rajasthani language that tells of the deeds of the folk hero-deity Pabuji, who lived in the 14th century. Storytelling, intertwined with the development of mythologies, [2] predates writing. The earliest forms of storytelling were usually oral, combined with gestures and expressions.
Calling the story "fictional" implies that one or a few people thousands of years ago deliberately created a false story, whereas it is possible that the people who originally set the ancient myth to writing genuinely believed that it is the truth, as they understood truth.
Ancient Sumerian epic poems did not use any kind of poetic meter and lines did not have consistent lengths; [23] instead, Sumerian poems derived their rhythm solely through constant repetition and parallelism, with subtle variations between lines. [23] Indo-European epic poetry, by contrast, usually places strong emphasis on the importance of ...
The genres Aristotle discusses include the epic, the tragedy, the comedy, dithyrambic poetry, and phallic songs. Genres are often divided into complex sub-categories. For example, the novel is a large genre of narrative fiction; within the category of the novel, the detective novel is a sub-genre, while the "hard-boiled" detective novel is a ...
High fantasy, or epic fantasy, is a subgenre of fantasy [1] defined by the epic nature of its setting or by the epic stature of its characters, themes, or plot. [2] High fantasy is usually set in an alternative, fictional ("secondary") world , rather than the "real" or "primary" world. [ 2 ]
The epic employs the story within a story structure, otherwise known as frametales, popular in many Indian religious and non-religious works. It is first recited at Takshashila by the sage Vaisampayana , [ 18 ] [ 19 ] a disciple of Vyasa, to the King Janamejaya who was the great-grandson of the Pandava prince Arjuna .