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A late-16th-century English illustration of a witch feeding her familiars. In European folklore of the medieval and early modern periods, familiars (strictly familiar spirits, as "familiar" also meant just "close friend" or companion, and may be seen in the scientific name for dog, Canis familiaris) were believed to be supernatural entities, interdimensional beings, or spiritual guardians that ...
It originated with the realist art movement that began with mid-nineteenth-century French literature and Russian literature (Alexander Pushkin). [1] Literary realism attempts to represent familiar things as they are. Realist authors chose to depict every day and banal activities and experiences.
T–V distinction, contrast between second-person pronouns that are specialized for varying levels of familiarity; The Familiar, 2009 film; Familiar Linux, Linux distribution for iPAQ machines and other PDAs "Familiar" (The X-Files), a 2018 episode of the American science fiction television series The X-Files
The term bibliophile entered the English language in 1820. [6] A bibliophile is to be distinguished from the much older notion of a bookman (which dates back to 1583), who is one who loves books, and especially reading ; more generally, a bookman is one who participates in writing, publishing, or selling books.
A colloquial name or familiar name is a name or term commonly used to identify a person or thing in non-specialist language, in place of another usually more formal or technical name. [13] In the philosophy of language, "colloquial language" is ordinary natural language, as distinct from specialized forms used in logic or other areas of ...
Some people who are considered "strangers" due to the lack of a formally established relationship between themselves and others are nonetheless more familiar than a total stranger. A familiar stranger is an individual who is recognized by another from regularly sharing a common physical space such as a street or bus stop, but with whom one does ...
What we are familiar with we cease to see. The writer shakes up the familiar scene, and as if by magic, we see a new meaning in it. [3] According to literary theorist Uri Margolin: Defamiliarization of that which is or has become familiar or taken for granted, hence automatically perceived, is the basic function of all devices.
[2] [3] [4] The latter vision is the one most congruent with pop culture representations of the 20th and 21st centuries and is thus the one most familiar to most people nowadays. Through retellings, additions, and variations, a body of familiar characters associated with Robin Hood has been created.