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Euripides [a] (c. 480 – c. 406 BC) was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most.
Euripides (c. 480 – c. 406 BC) is one of the authors of classical Greece who took a particular interest in the condition of women within the Greek world. In a predominantly patriarchal society, he undertook, through his works, to explore and sometimes challenge the injustices faced by women and certain social or moral norms concerning them.
Euripides’ Iphigenia in Aulis highlights the importance of gender roles in both the decision Iphigenia makes and in how she is treated by her father, Agamemnon. Sacrifice and Duty: In Iphigenia in Aulis, Iphigenia is willing to make a great sacrifice to further the Trojan War, a war that she herself has no involvement in. Warfare was a major ...
The Trojan Women (Ancient Greek: Τρῳάδες, romanized: Trōiades, lit."The Female Trojans") is a tragedy by the Greek playwright Euripides, produced in 415 BCE.Also translated as The Women of Troy, or as its transliterated Greek title Troades, The Trojan Women presents commentary on the costs of war through the lens of women and children. [1]
The Bacchae (/ ˈ b æ k iː /; Ancient Greek: Βάκχαι, Bakkhai; also known as The Bacchantes / ˈ b æ k ə n t s, b ə ˈ k æ n t s,-ˈ k ɑː n t s /) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon.
With this trilogy, Euripides won the second prize. The title refers to the Greek chorus , which is composed of Phoenician women on their way to Delphi who are trapped in Thebes by the war. Unlike some of Euripides' other plays, the chorus does not play a significant role in the plot, but represents the innocent and neutral people who very often ...
Euripides challenges the role of the gods and perhaps more appropriately man's interpretation of divine will. Orestes and others note the subordinate role of man to the gods, but the superiority of the gods does not make them particularly fair or rational. William Arrowsmith praised the play as a sharp condemnation of Athenian society, calling it:
Rhesus (Ancient Greek: Ῥῆσος, Rhēsos) is an Athenian tragedy that belongs to the transmitted plays of Euripides.Its authorship has been disputed since antiquity, [1] and the issue has invested modern scholarship since the 17th century when the play's authenticity was challenged, first by Joseph Scaliger and subsequently by others, partly on aesthetic grounds and partly on account of ...