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Robert Gordon Mackie (born March 24, 1939) [1] is an American fashion designer and costumier, best known for his dressing of entertainment icons such as Ann-Margret, Lucille Ball, Carol Burnett, Diahann Carroll, Carol Channing, Cher, Miley Cyrus, Doris Day, Marlene Dietrich, Barbara Eden, Lola Falana, Farrah Fawcett, Judy Garland, Mitzi Gaynor, Elton John, Julia Louis-Dreyfus, Bette Midler ...
Performance, Fashion and the Modern Interior, which includes a chapter (6 - 'Designing Lucile Ltd: couture and the modern interior 1900-1920s' by Samantha Erin Safer) on the décor of Lucile's salons The couturière's autobiography, Discretions and Indiscretions (New York, Frederick A. Stokes Co., 1932), was republished in 2012 under the title ...
[10] [11] Mugler's fall 1995 haute couture collection, marking the 20th anniversary of his brand, was staged at the Cirque d'hiver venue in Paris; and has been referred to as the "Woodstock of Fashion", for having over 300 designed looks, an elaborate set design, dozens of high-profile supermodels and a performance from James Brown. [12] [13]
Ann Cole Lowe (December 14, 1898 – February 25, 1981) was an American fashion designer. Best known for designing the ivory silk taffeta wedding dress worn by Jacqueline Bouvier when she married John F. Kennedy in 1953, she was the first African American to become a noted fashion designer. [1]
La Couture et la Confection des Vêtements de Femme. Paris, Imprimerie Chaix. Worth Jean-Philippe (1928), A Century of Fashion. Boston, Little Brown and Cie. Saunders, Edith (1955). The Age of Worth – Couturier to the Empress Eugenie. Indiana University Press. Brooklyn Museum (1962), The House of Worth. New York, The Brooklyn Museum.
Initially, Westwood created garments referencing the dress of the 1950s Teddy Boys, which were worn by McLaren. Upon opening Let It Rock in 1971, the first incarnation of Westwood and McLaren's boutique, early creations for the shop incorporated such influences reminiscent of the youth subculture fashions of the 1950s. [24]
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