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Etching and drypoint 1778 37.2 x 31.4 Equestrian portrait of Gaspar de Guzmán, Count-Duke of Olivares (after Velázquez) Etching 1778 37.4 x 31.3 Menippus (after Velázquez) Etching 1778 30.6 x 22 Aesop (after Velázquez) Etching 1778 30 x 21.7 Sebastián de Morra (after Velázquez) Etching 1778 20.9 x 14.8 Diego de Acedo, el Primo (after ...
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Eleanor Axson Sayre (March 26, 1916 – May 12, 2001) was an American curator, art historian, and a specialist on the works of Goya.She was the first woman to serve as departmental curator at the Museum of Fine Arts, Boston.
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Goya's usage of the recently-developed technique of aquatint (i.e., a method of etching a printing plate so that tones similar to watercolor washes can be reproduced [4]) gave Los Caprichos pronounced tonal effects and spirited contrast that made them a major achievement in the history of engraving.
The Prisoners is a series of three etchings by Francisco de Goya, depicting imprisoned men with indistinct faces, bound with leg irons in stress positions. The prints are not dated, but they are believed to have been made between 1810 and 1815, around the time Goya started his print series The Disasters of War. Political considerations made it ...
Graphic Evolutions: Prints by Goya from the Collection of the Arthur Ross Foundation. Exh. cat. Columbia Studies on Art, 2. New York: Columbia University Press, 1989. ISBN 0-231-06864-6; Wilson-Bareau, Juliet. Goya's Prints, The Tomás Harris Collection in the British Museum. London: British Museum Publications, 1981. ISBN 0-7141-0789-1
Los disparates (The Follies), also known as Proverbios or Sueños , is a series of prints in etching and aquatint, with retouching in drypoint and engraving, created by Spanish painter and printmaker Francisco Goya between 1815 and 1823.
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