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Still in common use in the 21st century, especially at shop entrances and kitchen doors Kabeshiro (壁代, lit. ' wall-curtain ') more images: Lintel-mounted curtain, with ties Made of narrow-loom cloth . Similar to a kichō, which however is free-standing.
Literally, shoji means "small obstructing thing" (障子; it might be translated as "screen"), and though this use is now obsolete, [4] shoji was originally used for a variety of sight-obstructing panels, screens, or curtains, [4] many portable, [94] either free-standing or hung from lintels, [95] used to divide the interior space of buildings ...
Ryobiraki tansu being carried by hired porters. Woodblock print, Utagawa Toyokuni, 1807. Tansu were rarely used as stationary furniture. Consistent with traditional Japanese interior design, which featured a number of movable partitions, allowing for the creation of larger and smaller rooms within the home, tansu would need to be easily portable, and were not visible in the home except at ...
The Mokumokuren usually live in torn shoji (Japanese paper sliding walls), although they can also be found in tatami floor mats and in walls. [1] The name "Mokumokuren" literally means "many eyes" or "continuous eyes". The Mokumokuren is considered by the Japanese to be one of the traditional inhabitants of haunted houses.
Its features include an open structure with few walls that can be opened and closed with doors, shitomi and sudare, a structure in which people take off their shoes and enter the house on stilts, sitting or sleeping directly on tatami mats without using chairs or beds, a roof made of laminated hinoki (Japanese cypress) bark instead of ceramic ...
In Japanese architecture, fusuma are vertical rectangular panels which can slide from side to side to redefine spaces within a room, or act as doors. [1] They typically measure about 90 cm (2 ft 11 in) wide by 180 cm (5 ft 11 in) tall, the same size as a tatami mat, and are 2–3 cm (0.79–1.18 in) thick.
By the mid-Nara period (ca. 750) Japanese paintings showed influences of the Chinese Tang dynasty (618–907) and in the 9th century early Heian period evolved into the Kara-e genre. Wall murals in the Takamatsuzuka Tomb, the Kitora Tomb and the Portrait of Kichijōten at Yakushi-ji exemplify the Kara-e style. Generally, Nara period paintings ...
The main reception room is characterized by specific features: a recessed alcove , staggered shelves, built-in desks, and ornate sliding doors. [5] [7] Generally the reception room is covered with wall-to-wall tatami and has square beveled pillars, a coved or coffered ceiling, and wooden shutters to protect the area from rain (雨戸, amado).
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