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Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
Sospiri, Op. 70, is an adagio for string orchestra, harp (or piano), and organ (or harmonium) [1] composed by Edward Elgar just before and performed just after the beginning of World War I.
Deh, come invan sospiro; Già piansi nel dolore; Io parto, e non più dissi; Io pur respiro in cosí gran dolore; Mille volte il dí moro; Moro, lasso, al mio duolo O dolce mio tesoro; Quando ridente e bella; Quel 'no' crudel che la mia speme ancise; Resta di darmi noia; Se la mia morte brami; Volan quasi farfalle; Tu piangi, o Filli mia; Tu ...
1905 • 100 Years of Nine Lessons and Carols • 101 Strings • 12 Concerti a cinque (Albinoni) • 12 Fantasias for Solo Flute (Telemann) • 12 Fantasias for Solo Violin (Telemann) • 12 Fantasias for Viola da Gamba (Telemann) • 12 Little Pieces (BWV 924-30, 939-42, and 999) • 12 Tonadillas en estilo antiguo • 12 Transcendental ...
In some performances (e.g. Gardiner 1993), [6] it precedes the sextet and follows the Count's aria "Vedro mentr'io sospiro". Moberly and Raeburn argued in 1965 that this is a more logical order, and that the order in the score was necessary so that the singer who doubled in the roles of Bartolo and Antonio in the premiere, Francesco Bussani ...
Bolet was born in Havana and studied at the Curtis Institute of Music in Philadelphia, where he himself taught from 1939 to 1942.His teachers included Leopold Godowsky, Josef Hofmann, David Saperton, Moriz Rosenthal and Fritz Reiner.
Two Concert Études (Zwei Konzertetüden), S.145, is a set of two piano works composed in Rome around 1862/63 by Franz Liszt and dedicated to Dionys Pruckner, but intended for Sigmund Lebert and Ludwig Stark’s Klavierschule.
Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act.