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"Sailing" was sampled on "Bagsy Not in Net" by the 1975 from their album Notes on a Conditional Form. [14] The song was sampled on Puff Daddy's song "Best Friend" from his 1999 album Forever. The song was sampled on Krayzie Bone's song "Paradise" released in 2008. The song can be partially heard in the 2022 Michael Bay movie Ambulance. [15]
Instrumental versions of "Sailing" have been recorded by the London Symphony Orchestra (album Classic Rock 1977) and Richard Clayderman (album A Little Night Music – 12 Classic Love Songs 1988). [40] A French version ("Ma musique") has been recorded by Joe Dassin in 1975. [42] A re-worded rave version by Slipstreem was a top 20 hit single in ...
The band became famous after playing the Woodstock festival in 1969 and began the '70s with two #1 albums: 1970's "Abraxas" and 1971's "Santana III." In 1998, Santana was inducted into the Rock ...
Because music from the ‘70s is so iconic, many songs are still used and referenced in pop culture today (i.e. Bohemian Rhapsody (2018), a biopic of the band Queen; the Guardians of the Galaxy ...
The term yacht rock did not exist contemporaneously with the music the term describes, [6] which was produced from 1975 to 1984. [7] [8] It refers to "adult-oriented rock" [6] or "West Coast Sound", [4] [3] which became identified with yacht rock in 2005, when the term was coined in J. D. Ryznar et al.'s online video series of the same name.
Rock music during the 60s was still largely sung in English, but some bands like Los Mac's and others mentioned above used Spanish for their songs as well. [78] During the 1960s, most of the music produced in Mexico consisted on Spanish-language versions of English-language rock-and-roll hits.
Twice in the ‘70s, Neil Young released live albums comprised entirely of new material, albeit with very different results. 1973’s Time Fades Away featured Young backed by an all-star band of ...
The band briefly entered the public consciousness when their song "San Francisco Girls (Return of the Native)" reached No. 91 in the U.S. on the Billboard Hot 100 chart in June 1968. [1] Like most of the band's material, it was written by the couple of Scott and Vivian Holtzman, who also were their producers. [ 2 ]