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Premier Solo andante et bolero for tenor saxophone and piano (1866)—Jules Demersseman; Brasiliana No. 7 for Tenor Saxophone and Piano (1956)—Radamés Gnattali; Sonata for Tenor Saxophone and Piano (1967)—James Di Pasquale; Sonatina for Tenor Saxophone and Piano (1969/95)—Bertold Hummel; Sonata for Tenor Saxophone and Piano (1974 ...
Szpilman, however, did not own a soprano saxophone, which was the instrument specified by Villa-Lobos, and, like Mule, found the highest notes too risky. Consequently, the composer decided to transpose the piece a tone lower, to E ♭, and to permit the tenor saxophone as an alternative to the soprano. [3]
Paul Gonsalves (() July 12, 1920 – () May 15, 1974) was an American jazz tenor saxophonist [1] best known for his association with Duke Ellington.At the 1956 Newport Jazz Festival, Gonsalves played a 27-chorus solo in the middle of Ellington's "Diminuendo and Crescendo in Blue," [2] a performance credited with revitalizing Ellington's waning career in the 1950s.
The first Ellington recording (4 May 1940) [2] [3] is notable for the driving tenor saxophone solo by Ben Webster. Originally an instrumental, "Cotton Tail" later had lyrics written for it by Ellington. Later, more lyrics were written, based on the 1940 recording, by Jon Hendricks, and recorded by Lambert, Hendricks and Ross.
Jean-Baptiste Illinois Jacquet (October 30, 1922 – July 22, 2004) [1] was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo. [2] He is also known as one of the writers of the jazz standard "Don'cha Go 'Way Mad."
Allen's first solo album, In Search Of (Red Records, 1999), led to his selection as Best New Artist in Italy. In 2003, his second album (Pharaoh's Children) was chosen as a top ten album of the year by Jazziz magazine. Ten years later he was named best composer and best tenor saxophonist in the Critics' Poll at DownBeat magazine. [2]
"Giant Steps" was composed and recorded during Coltrane's 1959 sessions for Atlantic Records, his first for the label.The original recording features Coltrane on tenor saxophone, Paul Chambers on double bass, Tommy Flanagan on piano, and Art Taylor on drums.
The official Blue Note website says of Brooks: "With a strong, smooth tone and an amazing flow of fresh ideas every time he soloed, tenor saxophonist Tina Brooks should have been a major jazz artist, but his legacy is confined to a series of dates that he did for Blue Note as a sideman and leader" and that he "was one of the most brilliant, if ...
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