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To "jam" is to improvise music without extensive preparation or predefined arrangements. Original jam sessions, also called "free flow sessions," are often used by musicians to develop new material (music) and find suitable arrangements. Both styles can be used simply as a social gathering and communal practice session.
Free improvisation, as a genre of music, developed primarily in the U.K. as well as the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and contemporary classical music. Exponents of free improvised music include saxophonists Evan Parker, Anthony Braxton, Peter Brötzmann, and John Zorn, composer Pauline Oliveros ...
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. [1]
In 1958, Walfredo de los Reyes, the timbalero in Cuban Jam Session Vols I and II, recorded Sabor cubano with pianist Yoyo Casteleiro, a horn section, and singers Kiko Rodríguez and Martha Rams. The album included Chico O'Farrill's "Descarga", Mario Bauzá's "Mambo Inn" and a guaracha titled "Cuban Jam Session" credited to Rafael Hernández. [14]
A jazz singer, for example, might use attendance and participation in jam sessions as a way to find potential members who she could hire as a rhythm section for her shows. A bandleader might use participation in jam sessions as a way to scout out new talent for her big band. In jazz, jam sessions are also an opportunity for informal learning ...
Download as PDF; Printable version; In other projects ... move to sidebar hide. Jam music may refer to: Jam band; Jam session, an impromptu musical performance; Jam ...
Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes.
A Toot and a Snore in '74 is a bootleg album consisting of the only known recording session in which John Lennon and Paul McCartney played together after the break-up of the Beatles in 1970. First mentioned by Lennon in a 1975 interview, [ 1 ] more details were brought to light in May Pang 's 1983 book, Loving John , and it gained wider ...