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The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
God's Gonna Cut You Down" (also known as "God Almighty's Gonna Cut You Down", "God's Gonna Cut 'Em Down", "Run On" and "Sermon") is a traditional American folk song. [1] The track has been recorded in a variety of genres, including country , folk , alternative rock , electronic and black metal . [ 2 ]
The Irish rock band U2 wrote and recorded the song "God Part II" as an answer song to Lennon's "God". Included in U2's 1988 album Rattle and Hum, "God Part II" reprises the "don't believe in" motif from Lennon's song and its lyrics explicitly reference Lennon's 1970 song "Instant Karma!" and American biographer Albert Goldman, author of the controversial book The Lives of John Lennon (1988).
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
Jordan: The Comeback is the fifth studio album by English pop band Prefab Sprout, released by Kitchenware Records and CBS on 28 August 1990. A 19-track album encompassing a variety of musical styles and themes, Jordan has been considered by the band and critics alike to be Prefab Sprout's most ambitious project.
“‘Oh my God Becky’ came from ‘Oh my god, Becky, look at that butt,” the singer explains in the brief clip. “So I want to give a shout-out to Sir Mix-a-Lot. I just love that saying ...
These three chords are a simple means of covering many melodies without the use of passing notes. The order of the chord progression may be varied; popular chord progression variations using the I, IV and V chords of a scale are: I – IV – V; IV – I – V; I – IV – I – V; I – IV – V – IV
The third stanza of the eponymous chorale in Johann Sebastian Bach's setting as the final movement of his chorale cantata Wachet auf, ruft uns die Stimme, BWV 140. A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant church service.