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Superman III is a 1983 superhero film directed by Richard Lester from a screenplay by David Newman and Leslie Newman based on the DC Comics character Superman. [4] [5] It is the third installment in the Superman film series and the sequel to Superman II (1980).
Unofficially known as Superman 64, it is a 3D action game in which the player takes control of Superman who must rescue his friends from a virtual-reality replica of Metropolis. The game is notorious among critics and gamers as one of the worst games ever made. Common criticisms include poor collision detection, awkward controls, and bizarre ...
There is also an unlockable 'Bizarro Rampage' mode that allows the player to cause havoc as Bizarro for an unlimited amount of time. This mode is accessible by using a cheat code found on the Superman Returns DVD. Superman's famed x-ray vision is used automatically when Superman picks-up an object. The object is made transparent to the player ...
Supergirl is a 1984 superhero film directed by Jeannot Szwarc from a screenplay by David Odell based on the DC Comics character of the same name. [6] [7] It is the fourth film in the Superman film series, set after the events of Superman III (1983) and serving as a spin-off of the series.
[5] [6] [7] The documentary was directed by Ian Bonhôte and Peter Ettedgui, who co-wrote the script with Otto Burnham; its title is a reference to Reeve's role as Superman in the 1978–1987 Superman films. [3] [8] Reeve's children Alexandra Reeve Givens, Matthew Reeve, and Will Reeve are featured in the film. [9]
Robert Henderson (December 19, 1904 – September 9, 1985 [1]) was an American actor [2] and director. [3] He was known for Superman (1978), Superman III (1983), and Phase IV (1974). [4] Henderson was born in Ann Arbor, Michigan. [1] His father was dean at the University of Michigan (UM). [5] He played an important role in the early career of ...
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Superman III was the first of the films to have a score and soundtrack on the same release. Side A was devoted to 20 minutes of Ken Thorne's score (including new material such as a comedic cue that corresponds with the opening slapstick sequence, a theme for Richard Pryor's character, Gus Gorman, and the climactic fight between Clark Kent and Evil Superman).
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