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Enjambment has a long history in poetry. Homer used the technique, and it is the norm for alliterative verse where rhyme is unknown. [9] In the 32nd Psalm of the Hebrew Bible enjambment is unusually conspicuous. [10] It was used extensively in England by Elizabethan poets for dramatic and narrative verses, before giving way to closed couplets.
Shakespeare also used enjambment increasingly often in his verse, and in his last plays was given to using feminine endings (in which the last syllable of the line is unstressed, for instance lines 3 and 6 of the following example); all of this made his later blank verse extremely rich and varied.
Often, the meaning of an allegory is religious, moral, or historical in nature. Example: "The Faerie Queene" by Edmund Spenser. [1] Periphrasis: the usage of multiple separate words to carry the meaning of prefixes, suffixes or verbs. Objective correlative; Simile: a figure of speech that directly/explicitly compares two things.
Enjambment is a line break in the middle of a sentence, phrase or clause, or one that offers internal (sub)text or rhythmically jars for added emphasis. Alternation between enjambment and end-stopped lines is characteristic of some complex and well composed poetry, such as in Milton's Paradise Lost.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Read the full text of the speech as he delivered it that day: I am happy to join with you today in what will go down in history as the greatest demonstration for freedom in the history of our nation.
Sonnet 60 is an English or Shakespearean sonnet.The Shakespearean sonnet contains three quatrains followed by a final rhyming couplet.It follows the form's typical rhyme, abab cdcd efef gg and is written a type of poetic metre called iambic pentameter based on five pairs of metrically weak/strong syllabic positions.
An example of a feminine caesura is the opening line of the Odyssey: ἄνδρα μοι ἔννεπε, Μοῦσα, || πολύτροπον, ὃς μάλα πολλὰ ándra moi énnepe, Moûsa, || polútropon, hòs mála pollà ("Tell me, Muse, of the man || of many wiles, who very much (wandered)")