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A figure-ground diagram is a two-dimensional map of an urban space that shows the relationship between built and unbuilt space. It is used in analysis of urban design and planning . It is akin to but not the same as a Nolli map which denotes public space both within and outside buildings and also akin to a block pattern diagram that records ...
In architecture, a lightwell, [NB 1] sky-well, [NB 2] or air shaft is an unroofed or roofed external space provided within the volume of a large building to allow light and air to reach what would otherwise be a dark or unventilated area. Lightwells may be lined with glazed bricks to increase the reflection of sunlight within the space.
An architectural drawing or architect's drawing is a technical drawing of a building (or building project) that falls within the definition of architecture.Architectural drawings are used by architects and others for a number of purposes: to develop a design idea into a coherent proposal, to communicate ideas and concepts, to convince clients of the merits of a design, to assist a building ...
1. In a building facade, the space between the top of the window in one story and the sill of the window in the story above. 2. The space between two arches or between an arch and a rectangular enclosure. Spere The fixed structure between the great hall and the screens passage in an English medieval timber house. Spire
A crawl space or crawlspace is an unoccupied, unfinished, narrow space within a building, between the ground and the first (or ground) floor. The crawl space is so named because there is typically only enough room to crawl rather than stand; anything larger than about 1 to 1.5 metres (3 ft 3 in to 4 ft 11 in) and beneath the ground floor would ...
The Tucson High School Galleria and reflexive library (pictured) feature a modern atrium tetrastylum with four support columns and open roof. In architecture, an atrium (pl.: atria or atriums) [1] is a large open-air or skylight-covered space surrounded by a building. [2]
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Historically, multiple approaches were suggested to address the reflection of the structure in the appearance of the architectural form. In the 19th-century Germany, Karl Friedrich Schinkel suggested that the structural elements shall remain visible in the forms to create a satisfying feeling of strength and security, [3] while Karl Bötticher as part of his "tectonics" suggested splitting the ...