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The various versions of the Man of Sorrows image all show a Christ with the wounds of the Crucifixion, including the spear-wound. Especially in Germany, Christ's eyes are usually open and look out at the viewer; in Italy the closed eyes of the Byzantine epitaphios image, originally intended to show a dead Christ, remained for longer.
In 1998 David became the featured artist at “Around the Coyote”, a well-known art festival/competition in Chicago. [4] [5] His work was included in the curator's choice in that competition. [6] Around that time, his work was displayed in several galleries in Illinois, including Yello Gallery [7] [8] and Dramaticus Fine Art Gallery [9]. [10]
Christ in Glory with Four Saints and a Donor; Christ in Glory with Saint Peter and Saint Paul; Christ in Glory with Saints and Odoardo Farnese; Christ in the Desert; Christ in the House of Martha and Mary (Velázquez) Christ in the House of Martha and Mary (Vermeer) Christ on the Mount of Olives (Caravaggio) Christ on the Mount of Olives (Paul ...
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
The painting in its current frame, hanging in the National Gallery. The Latin form of Pilate's words, "Behold the man", has given the title Ecce Homo to this picture. It is the moment when Jesus comes forth from the rude mockery of the soldiers, clad in a royal robe, and wearing the crown of thorns.
Cimabue achieves a masterful handling of colour; medieval churches tended to be extremely colourful, with frescoed walls, painted capitals, and gold leaf paintings. [8] Pale tonalities dominate, with the main contrast found in the dark areas of Christ's hair and beard, which are utilised to make the features of his face stand out more and position his head as the focal point.
In the painting, Saint Roch is in the middle on the right, looking up at the Virgin Mary and the Christ Child at top left. Saint Roch is recognisable from his pilgrim's attire, the bubo on his leg and the dog behind him. He is pleading to Mary for her intercession. To the bottom left is a tight-knit group of sufferers sitting and lying on the ...
The Christ as the Suffering Redeemer is a painting by the Italian Renaissance artist Andrea Mantegna, dated to c. 1488–1500 and housed in the Statens Museum for Kunst, Copenhagen, Denmark. [ citation needed ]