Search results
Results from the WOW.Com Content Network
Flagellation at the hands of the Romans is mentioned in three of the four canonical Gospels: John 19:1, Mark 15:15, and Matthew 27:26, and was the usual prelude to crucifixion under Roman law. [5] None of the three accounts is more detailed than John's "Then Pilate took Jesus and had him flogged" (NIV).
The most famous treatment of the theme at the time was Sebastiano del Piombo's High Renaissance Flagellation of Christ in the church of San Pietro in Montorio in Rome. Piombo's Flagellation, much imitated by later artists, shows multiple idealised figures twisting through complex layers of space. Caravaggio has flattened the space, reduced the ...
Édouard Manet, Jesus Mocked by the Soldiers, c. 1865. After his condemnation by Pontius Pilate, Jesus was flogged and mocked by Roman soldiers.They clothed him with a "purple" or "scarlet" (Matthew 27:28) robe symbolizing a royal gown since purple was a royal color, put a crown of thorns on his head symbolizing a royal crown, and put a staff in his hand symbolizing a scepter.
The Flagellation of Christ is a painting by the Italian Baroque painter Caravaggio, now in the Museo Nazionale di Capodimonte, Naples. [1] It is dated to 1607, and may have been reworked by the artist in 1610. It is not to be confused with Christ at the Column, another Flagellation by Caravaggio of the same period.
Conversion of units is the conversion of the unit of measurement in which a quantity is expressed, typically through a multiplicative conversion factor that changes the unit without changing the quantity. This is also often loosely taken to include replacement of a quantity with a corresponding quantity that describes the same physical property.
Conversions between units in the metric system are defined by their prefixes (for example, 1 kilogram = 1000 grams, 1 milligram = 0.001 grams) and are thus not listed in this article. Exceptions are made if the unit is commonly known by another name (for example, 1 micron = 10 −6 metre).
Christ after his Resurrection, with the ostentatio vulnerum, showing his wounds, Austria, c. 1500. The five wounds comprised 1) the nail hole in his right hand, 2) the nail hole in his left hand, 3) the nail hole in his right foot, 4) the nail hole in his left foot, 5) the wound to his torso from the piercing of the spear.
[1] [a] Two of the more puzzling details of the painting are, one, the fact that the heads of Jesus and St. John seem to visually meld together in the upper left corner, and, two, the fact of the prominent presence, in the very centre of the canvas and in the foremost plane of the picture, of the arresting officer's highly polished, metal-clad arm.