Search results
Results from the WOW.Com Content Network
Many of Cook's men, ordinary seamen and sailors, came back with tattoos, a tradition that would soon become associated with men of the sea in the public's mind and the press of the day. [112] In the process, sailors and seamen re-introduced the practice of tattooing in Europe, and it spread rapidly to seaports around the globe.
The Picts are often said to have tattooed themselves, but evidence for this is limited. Naturalistic depictions of Pictish nobles, hunters and warriors, male and female, without obvious tattoos, are found on monumental stones. These include inscriptions in Latin and ogham script, not all of which have been deciphered. The well-known Pictish ...
To the Ancient Greeks and Romans the Celtic warrior was the archetypal barbarian, [85] stereotypically presented as massive, powerful, and malicious. The Trvve Picture of One Picte Theodor de Bry's 1588 engraving of a Pict a member of an ancient Celtic people from Scotland. An example of how negative Greco-Roman depictions of the Celts persisted
Ancient Celtic metalwork (2 C, 40 P) P. Pictish art (1 C, 4 P) ... Warrior of Hirschlanden This page was last edited on 10 November 2023, at 22:20 (UTC). ...
It is one of the best known works of Celtic art from Iron Age Europe, and, along with the Glauberg "Prince" and the Warrior of Hirschlanden, one of the few large representations of the human figure. After its discovery in 1943, the sculpture became one of the most photographed, reproduced and published La Tène (cc. 450–50 B.C.) objects ever.
Quintus Fulvius Nobilior was sent against the Celtiberians in 153 BC, with nearly 30,000 men. But the consul was late in arriving and ambushed soon after, with 6,000 Romans slain. A siege of Numantia several days later, where the Segedans had taken refuge, was no more successful. Three elephants were brought up against the town walls but became ...
The famous Roman copy of the original Greek sculpture The Dying Gaul depicts a wounded Gaulish warrior naked except for a torc, which is how Polybius described the gaesatae, Celtic warriors from modern northern Italy or the Alps, fighting at the Battle of Telamon in 225 BC, although other Celts there were clothed. [10]
Scytho-Siberian art is the art associated with the cultures of the Scytho-Siberian world, primarily consisting of decorative objects such as jewellery, produced by the nomadic tribes of the Eurasian Steppe, with the western edges of the region vaguely defined by ancient Greeks.