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Made of raupō and stuffed with newspaper. Originally, poi were most commonly made from harakeke (New Zealand flax, Phormium tenax) and raupō (Typha orientalis). Makers stripped and scraped flax to provide the muka (inner flax fibre), which was twisted into two strands to make the taura (cord) as well as the aho (ties).
Dumka (Ukrainian: думка, dúmka, plural думки, dúmky) is a musical term introduced from the Ukrainian language, with cognates in other Slavic languages. The word dumka literally means "thought". Originally, it was the diminutive form of the Ukrainian term duma, pl. dumy, "a Slavic (specifically
The success also inspired its singer Chinnaponnu to release an English version of the song. "Naaka Mukka" would also go on to be reused in the 2009 Telugu-language film Mahatma as "Jajjanaka" (which was also composed by Antony) [ 12 ] and featured in the 2011 Hindi film The Dirty Picture .
Muka is prepared fibre of New Zealand flax (Māori: harakeke). [1] Prepared primarily by scraping, pounding and washing, it is a key material in Māori traditional textiles where it is usually used in tāniko or twined weaving. Some varieties produce different grades or quality of muka that result in characteristics such as strength, whiteness ...
Kaitaka are cloaks of finely woven muka (Phormium tenax) fibre. [31] Kaitaka are among the more prestigious forms of traditional Māori dress. They are made from muka (flax fibre), which is in turn made from those varieties of Phormium tenax that yield the finest quality fibre characterised by a silk-like texture and rich golden sheen. Kaitaka ...
Angklung arumba is a musical ensemble of various musical instruments made of bamboo. Angklung arumba was born around the 1960s in West Java, Indonesia, and is now a typical West Javanese musical instrument. In 1964, Yoes Roesadi and his friends formed a musical group that specifically added angklung to its ensemble line.
Popular music often makes use of strophic form, sometimes in conjunction with the twelve bar blues. [102] In the tenth edition of The Oxford Companion to Music, Percy Scholes defines musical form as "a series of strategies designed to find a successful mean between the opposite extremes of unrelieved repetition and unrelieved alteration."
The composition and translation of tanka in English begins at the end of the nineteenth century in England and the United States. Translations into English of classic Japanese tanka (traditionally known as waka) date back at least to the 1865 translation of the classic Ogura Hyakunin Isshu (c. early 13th century); an early publication of originally English tanka dates to 1899.