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Redwall is a series of children's fantasy novels by British writer Brian Jacques, published from 1986 to 2011. [1] [2] It is also the title of the first book of the series, published in 1986, as well as the name of the abbey featured in the book, and is the name of an animated television series based on three of the novels (Redwall, Mattimeo, and Martin the Warrior), which first aired in 1999.
Redwall is a fantasy novel by Brian Jacques. [1] Originally published in 1986, it is the first book of the Redwall series. The book was illustrated by Gary Chalk, with the British cover illustration by Pete Lyon and the US cover by Troy Howell.
Books in Brian Jacques's Redwall series. Pages in category "Redwall books" The following 29 pages are in this category, out of 29 total.
James Brian Jacques (/ ˈ dʒ eɪ k s /, as in "Jakes"; [1] 15 June 1939 – 5 February 2011), known professionally as Brian Jacques, was an English author known for his Redwall series of children's fantasy novels and Castaways of the Flying Dutchman series.
The young mouse Piknim ends up being slain by the cruel jackdaws at St. Ninian's while searching for a pearl. The church is burnt down to prevent evil-doers from ever using it again (it had been used as a base by Redwall's enemies twice before in Redwall and Mattimeo), and the search resumes, with all the pearls eventually being found.
The Rogue Crew is the 22nd book of the Redwall series by Brian Jacques, released on May 3, 2011. It is the final novel of the Redwall series, due to Jacques' death on ...
Furgle recognises the disease symptoms and goes to warn Redwall. Dingeye, however, is caught by the small group lead by Dethbrush, and is beheaded with the Sword of Martin the Warrior. Dethbrush takes the Sword from Dingeye's headless carcass. Back at Redwall, a terrible disease has begun ravaging the Abbey.
Publishers Weekly said the book is a "truly thrilling conclusion" to the Redwall trilogy, and praised the characters as being "realistically drawn" and "full of personality". [3] The Kirkus Reviews also offered some praise, calling it a "treat for Redwall's fans", but criticized its writing as being "wholly simplistic" and lacking depth. [4]
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