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The music video for "Semi-Charmed Life" was directed by Jamie Morgan and it depicted an idealistic visual of San Francisco. The song received positive reviews from music critics, who praised its instrumentation and radio-friendly nature. In retrospective reviews, some critics have cited "Semi-Charmed Life" as one of the best songs of the 1990s.
The central theme of Third Eye Blind is loss, with the album exploring subjects such as suicide, crystal methamphetamine addiction, and sexual abuse. [5] [6] "Semi-Charmed Life", an alternative rock song composed with a rap-influenced singing style, was one of the first songs recorded for the album.
"Graduate" is a song by American rock band Third Eye Blind from their eponymous debut studio album (1997). It was released to radio as the second single from the album in July 1997 by Elektra Records. Frontman Stephan Jenkins and guitarist Kevin Cadogan are credited as co-writers on the song. Production on the song was helmed by Jenkins and ...
Work on a fifth album continued, with earliest reports showing plans for a 2011 release, but writer's block continued to hamper Jenkins ability to complete lyrics for songs. [88] [86] The only newly recorded studio music the band would release for years was the impromptu-written "If There Ever Was a Time" song released in support of the Occupy ...
Third Eye Blind is an American alternative rock band formed in San Francisco, California, in 1993.The group's discography consists of seven studio albums, one live album, two compilation albums, three extended plays, 25 singles, three promotional singles, and 31 music videos.
"Losing a Whole Year" is an alternative rock song. [3] According to the sheet music published at Musicnotes.com by Alfred Publishing, the song is written in the key of E major and is set at a tempo of 108 beats per minute with a time signature of 4 4 for most of the song except for two measures of 11 8 before the guitar solo and four during the ...
"How's It Going to Be" was written by Stephan Jenkins and Kevin Cadogan.In an interview with Jenkins published in Billboard, he explained: . The song’s inspiration came about when Third Eye guitarist Kevin Cadogan was tinkering around with an autoharp, ‘which is a vintage-sounding instrument that you can’t really play without it having a sort of nostalgic sound to it.
Then we got the tempo, and we got the recording of it, the base of it, done. I re-did my acoustics. I was in the middle of vocals when David Tickle showed up. I'd laid down three vocals. I was annoyed he showed up. We were already done with the frigging song. We comped the vocal and mixed it that night, and it made mastering the next day.