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Case curtains: some elaborate 18th-century beds were given permanent protective case-curtains which ran on an iron rod in front of the bed proper to keep the dust off the precious fabrics. The French designer Daniel Marot called the cover curtains un tour de lit. [16] Bed curtains were lined with a show fabric, often different to the outside. [17]
Weave details visible on a purple-colored velvet fabric. Velvet is a type of woven fabric with a dense, even pile [1] that gives it a distinctive soft feel. Historically, velvet was typically made from silk. Modern velvet can be made from silk, linen, cotton, wool, synthetic fibers, silk-cotton blends, or synthetic-natural fiber blends. [2]
Velour, occasionally velours, is a plush, knitted fabric or textile similar to velvet or velveteen. It can be made from polyester, spandex, cotton, or a cotton-polyester blend. [1] Velour is used in a wide variety of applications, including clothing and upholstery. [2] Velour typically has a medium-length pile, shorter than velvet but longer ...
Devoré – or burnout technique – applied to green velvet fabric. Devoré (also called burnout) is a fabric technique particularly used on velvets, where a mixed-fibre material undergoes a chemical process to dissolve the cellulose fibres to create a semi-transparent pattern against more solidly woven fabric.
Velveteen (or velveret) is a type of woven fabric with a dense, even, short pile. It has less sheen than velvet because the pile in velveteen is cut from weft threads, while that of velvet is cut from warp threads. [1] Velveteen also has a shorter pile than velvet and is stiffer, with less drape, and is usually made of cotton or a cotton-silk ...
Theorem stencil, sometimes also called theorem painting or velvet painting, is the art of making stencils and using them to make drawings or paintings on fabric or paper. [1] A vogue for theorem stencil painting began in England at the turn of the 18th century and through the mid-1800s. [2]
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