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21 When Jesus had thus said, he was troubled in the spirit, and testified, and said, Verily, verily, I say unto you, that one of you shall betray me. 22 The disciples looked one on another, doubting of whom he spake. 23 There was at the table reclining in Jesus' bosom one of his disciples, whom Jesus loved.
Tanner spoke of the painting as having been particularly challenging to paint. [2] The painting was purchased in 1907 by the museum. [3] It was also exhibited in Pittsburgh in 1907 and New York in 1908. [2] The painting illustrates Luke 10, verses 38–42 in the Bible, when Christ ate at the table of the sisters Martha and Mary. [2]
Calvin also believed that the acts of Jesus at the Last Supper should be followed as an example, stating that just as Jesus gave thanks to the Father before breaking the bread, [83] those who go to the Lord's table to receive the sacrament of the Eucharist must give thanks for the "boundless love of God" and celebrate the sacrament with both ...
Jesus is at the center of the painting. Above Jesus are four angels holding a cross. A Greek inscription reading the Last Supper (Ο ΔΕΙΠΝΟ Ο ΜΥΣΤΚΟ) is below the angels. The twelve apostles are gathered at the table. Some figures clearly express their role. Saint Peter is at the right of Jesus symbolizing he is his right hand.
The painting is also parodied in Mel Brooks's movie History of the World, Part I (1981), making Leonardo a contemporary of Jesus. Many parodies of the painting appear on the small screen, including That '70s Show ' s 1998 first-season episode "Streaking", with Eric flanked by his friends (and Jackie wondering why everyone is sitting on the same ...
The Last Supper shows images of Jesus and the Apostles sitting around a pronent dining table in the shape of a U. [1] Disciples converse, and both Judas and John lean toward Jesus, as is tradition. [1] Jesus is shown near the center, with his right hand raised and index and middle fingers together, which is an archetypal gesture of bestowed ...
The table has no meals, but a single chalice in front of Jesus; some gilded or silvered kitchenware is shown in the foreground, an example of still life inspired by contemporary Flemish painting and widespread in Florentine art at the time. At the sides, are two couples of figures dressing rich garments.
The painting depicts Jesus and the Apostles during the Last Supper, with Judas dressed in blue turning back towards the viewer and away from the table. Other than Jesus, the most prominent figure is Judas. Judas holds his right hand to his mouth with his eyes avoiding direct contact with the other figures in the painting creating a nervous ...
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